Voltage Pictures

The first major film festival to present a physical event since Covid-19 struck aims to unspool on the Venice Lido from September 2-12, showcasing a refreshing number of female directors after decades of heavy male bias.

Screen profiles the Out of Competition section, including new titles from Luca Guadagnino, Ann Hui, Regina King and Roger Michell.

30 Coins (Sp-US)

Dir. Alex de la Iglesia

Spain’s de le Iglesia — whose filmmaking career began with 1993’s Accion Mutante, and whose output spans film and TV, fiction and documentary — presents the first episode of his new series as a special screening. Eduard Fernandez (Everybody Knows) stars as an exiled priest living in a remote Spanish village as he tries to escape his demons. De la Iglesia writes with Jorge Guerricaechevarria, following their collaboration on projects including 2008 feature The Oxford Murders. Greenlit Productions (US) and Pokeepsie Films (Spain) produce for HBO Spain.

Contact: HBO Spain

Assandira (It)

Dir. Salvatore Mereu

This would have been the fifth Italian film in Competition had Alberto Barbera been able to get away with so many, or so the festival director claimed during the line-up press conference. Sardinian director Mereu, a stalwart of Italian regional indie cinema, plays a meta game, giving a key role to Gavino Ledda — whose book about his life as a child shepherd brutalised by his father was the basis for the Taviani brothers’ seminal Father And Master (Padre Padrone). But in Mereu’s tale of rural Sardinian father-son conflict, it is Ledda who plays the stern patriarch. The film is produced by Mereu’s own Viacolvento in collaboration with Rai Cinema.

Contact: The Match Factory

City Hall (US)

Dir. Frederick Wiseman

Wiseman’s last film Monrovia, Indiana — a relatively sleek 143 minutes — premiered out of competition in Venice in 2018, before seguing to Toronto. The veteran documentarian follows the same festival gameplan with his latest work, which clocks in at an epic 272 minutes. The focus this time is Boston’s city government, led by Democrat mayor Marty Walsh, and on topics of urgent relevance including racial injustice, housing and climate action. Wiseman produces through his Zipporah Films.

Contact: The Party Film Sales

Crazy, Not Insane (US)

Dir. Alex Gibney

Oscar winner Gibney, who played out of competition at Venice a year ago with Citizen K, returns with his latest feature documentary, which was selected for CPH:Dox in March but bypassed the online iteration. Gibney’s latest subject is forensic psychiatrist Dorothy Otnow Lewis, a professor of psychiatry at Yale and New York University, and an expert in the field of violent individuals and people with dissociative identity disorder (aka multiple personality disorder). Gibney’s Jigsaw Productions produces.

Contact: HBO

The Duke (UK)

Dir. Roger Michell

A year after presenting Blackbird at Toronto, seasoned UK film and stage director Michell touches down in Venice for the first time since 2004’s Enduring Love. Jim Broadbent stars as the taxi driver who, in 1961, stole Goya’s portrait of the Duke of Wellington from London’s National Gallery, announcing he would return it if the UK government invested more in elderly care. Helen Mirren also stars in this Pathé, Ingenious and Screen Yorkshire presentation of a Neon Films production, which was scripted by Richard Bean and Clive Coleman. Pathé distributes in the UK, France and Switzerland, and sells globally.

Contact: Pathé International

Final Account (UK)

Dir. Luke Holland

UK filmmaker Holland, who died in June this year, made TV documentaries Good Morning, Mr Hitler (1993, using newly discovered footage of Adolf Hitler attending a cultural festival shortly before the outbreak of the Second World War) and I Was A Slave Labourer (2000, about a 13-year-old Silesian boy forced by the Nazis to work in a slave-labour factory). In Final Account, Holland interviews nearly 300 perpetrators and witnesses of the Holocaust from the Nazi side.

Contact: Cinephil

I Am Greta (Swe)

Dir. Nathan Grossman

The much-anticipated Greta Thunberg documentary has been in the works since 2018, before the then-15-year-old climate activist became a household name. The film’s team followed her from her first day of school strike to being nominated for the Nobel Peace Prize and beyond. Grossman previously directed the viral hit short The Toaster Challenge and SVT meat-industry series Köttets Lustar. Hulu has US rights.

Contact: Dogwoof

Hopper/Welles (US)

Dir. Orson Welles

In November 1970, when Dennis Hopper cameoed in Orson Welles’ The Other Side Of The Wind, the pair sat down for a filmed conversation. The two-camera black-and-white footage was among the reels of The Other Side Of The Wind that were inventoried and scanned in 2017, prior to its belated release in 2018. This footage — a conversation covering politics, Christianity, family relationships and filmmaking — has now been assembled by The Other Side Of The Wind producer Filip Jan Rymsza and editor Bob Murawski. CAA handles North American sales.

Contact: Royal Road Entertainment

Love After Love (China)

Dir. Ann Hui

Set to be the first female director to receive the Golden Lion for lifetime achievement this year, Hong Kong filmmaker Hui brings to Venice an adaptation of an Eileen Chang short story, which Hui describes as a brutal tale depicting a mixed-up, hypocritical milieu in Hong Kong shortly before the Second World War. Sandra Ma (Soulmate) plays a young girl who falls into her aunt’s game of luring rich men, with Eddie Peng (Our Time Will Come) co-starring. Hui last competed in Venice with 2011’s A Simple Life, which won four awards.

Contact: Gabrielle Rozing, Fortissimo Films

Mandibles (Fr-Bel)

Dir. Quentin Dupieux

Dupieux’s eighth feature has a typically inventive premise: two friends find a giant fly in the trunk of their car and decide to train it as a moneymaking venture. French comedy duo Grégoire Ludig and David Marsais (aka Palmashow) are joined in the cast by Adele Exarchopoulos, Coralie Russier, India Hair and Belgian rapper Roméo Elvis. The director was last in Venice with Reality, which played in Horizons in 2014, while his most recent film Deerskin opened Directors’ Fortnight at Cannes last year. Memento Films has taken French rights to Mandibles and plans to launch theatrically in December.

Contact: Wild Bunch International; Gregory Chambet, WTFilms

Molecole (It)

Dir. Andrea Segre

Chosen as Venice’s pre-opening film — a slot more often occupied by restored classics — Segre’s 68-minute documentary joins Abel Ferrara’s Sportin’ Life as one of the first lockdown works to emerge at a major festival. Italian director Segre was in Venice working on two separate projects when the country went into quarantine. He decided to stay, and found himself creating a hybrid third work that merges reflections on the empty lagoon city with memories of the director’s father, a Venice-born scientist. ZaLab will release in Italy on September 2.

Contact: Liselot Verbrugge, Deckert Distribution

Mosquito State (Pol)

Dir. Filip Jan Rymsza

Polish filmmaker Rymsza has made his third feature as a director but previously attended Venice as a producer, accompanying the resurrection of Orson Welles’ The Other Side Of The Wind and companion documentary They’ll Love Me When I’m Dead in 2018. Produced by his Los Angeles-based outfit Royal Road Entertainment, Rymsza also wrote the drama, which stars Beau Knapp (Destroyer) as an obsessive Wall Street data analyst whose erratic computer algorithms lead to a psychological meltdown. CAA handles North American sales.

Contact: Royal Road Entertainment

Narciso Em Ferias (Braz)

Dirs. Renato Terra, Ricardo Calil

Terra and Calil collaborated on music docs One Night In 67 (2010) and I Am Carlos Imperial (2016), as well as working on projects independently of each other. Their latest non-fiction work chronicles the 1968 arrest of Caetano Veloso, when he and fellow musician Gilberto Gil were removed from their Sao Paulo homes by plainclothes agents of the country’s military dictatorship. Fifty-two years later, Veloso reflects on his 54 days in prison. Paula Lavigne produces for Uns Producoes in a co-production with Walter Salles and Joao Moreira Salles’ VideoFilmes.

Contact: Maria Bruno, VideoFilmes

Night In Paradise (S Kor)

Dir. Park Hoon-jung

Korean writer/director Park makes his Venice debut with a bloody thriller set on beautiful Jeju Island, following a man hunted by gangsters and a woman who has lost hope in life. The cast includes Um Tae-goo (The Age Of Shadows) and Jeon Yeo-been (After My Death). Park gained prominence as the writer of hit thrillers The Unjust and I Saw The Devil before directing his own features including New World and The Witch: Part 1 — The Subversion.

Contact: Whitney Kim, Contents Panda

One Night In Miami

SOURCE: AMAZON STUDIOS

ONE NIGHT IN MIAMI

One Night In Miami (US)

Dir. Regina King

King won the best supporting actress Oscar in 2019 for If Beale Street Could Talk, and has racked up multiple directing credits on TV movies, episodic television and 2014 TV documentary Story Of A Village. Now she makes her fiction feature directing debut with One Night In Miami, a biographical drama that depicts boxer Cassius Clay — as Muhammad Ali was then known — meeting Malcolm X, musician Sam Cooke and American Football star Jim Brown one fateful night in 1964. ABKCO Films and Keith Calder and Jess Wu Calder’s Snoot Entertainment (Blindspotting) produce for Amazon Studios.

Contact: Amazon Studios

Paolo Conte, Via Con Me (It)

Dir. Giorgio Verdelli

Famous for his rough, three-packs-a-day smoker’s voice, Piedmontese jazz musician Paolo Conte is a national treasure in his native Italy and much feted across the border in France. Narrated by actor Luca Zingaretti (TV’s Inspector Montalbano), this two-hour documentary centres on a rare interview with the enigmatic crooner, accompanied by archive material and contributions from fans such as Roberto Benigni and Isabella Rossellini. Produced by Verdelli’s own Sudovest Produzioni and Indigo Film with Rai Cinema, the film will be given a three-day Italian release from September 28-30 by live event streaming specialist Nexo Digital.

Contact: Elena Ratti, Nexo Digital

Princess Europe (Fr)

Dir. Camille Lotteau

Longtime editor and sound designer Lotteau directs his second feature documentary after 2010’s Bord De. He delves into the European elections and looks at the future of Europe, through a range of voices including Algeria-born, Franco-Jewish filmmaker and philosopher Bernard-Henri Lévy, Hungarian prime minister Viktor Orban, US right-wing strategist Steve Bannon, Italian comedian and politician Beppe Grillo, and philosopher Aleksandr Dugin.

Contact: Margo Cinéma

Run Hide Fight (US)

Dir. Kyle Rankin

Writer/director Rankin’s festival outings have been on the genre and fantasy circuit for Night Of The Living Deb (2015) and The Witch Files (2018). He makes his Venice debut with Run Hide Fight, described by Alberto Barbera as “a provocative drama set in a school taken hostage by four students intent on carrying out a massacre”. It is lead produced by Dallas Sonnier — who took Brawl In Cell Block 99 and Dragged Across Concrete to Venice in 2017 and 2018 — and stars Thomas Jane, Radha Mitchell and Isabel May

Contact: Voltage Pictures

Salvatore — Shoemaker Of Dreams (It)

Dir. Luca Guadagnino

Debuting a few days before Guadagnino’s other big 2020 release — HBO miniseries We Are Who We Are — this 120-minute documentary focuses on shoemaker to the stars Salvatore Ferragamo, who rose from poverty to found a global fashion brand. Sierra/Affinity picked up worldwide sales rights at the end of July on a film that reteams Guadagnino with producer Francesco Melzi d’Eril and editor Walter Fasano. New to the stable is fashion writer Dana Thomas, who penned the screenplay.

Contact: Sierra/Affinity

Sportin’ Life (Fr-UK)

Dir. Abel Ferrara

The former wild man of indie cinema has often mined his surroundings for material. The new sober chapter of his life as a family man in Rome generated Tommaso in 2019, while another Willem Dafoe collaboration — dream trip Siberia, which played in Berlin’s Competition this year — spawned this 65-minute documentary, weaving footage of the premiere with film shot in Italy on the eve of lockdown. Sportin’ Life is co-produced by French indie outfit Vixens, fashion house Saint Laurent and UK-based producer Diana Phillips.

Contact: Clara Jane Matteucci, Saint Laurent

The Ties (It)

Dir. Daniele Luchetti

The first Italian film to open Venice since Giuseppe Tornatore’s Baaria in 2009, 1980s-set marriage drama The Ties (Lacci) is based on a well-received novel by Neapolitan writer Domenico Starnone. Ever since 1988’s It’s Happening Tomorrow, Luchetti has been more of a Cannes regular than a presence on the Lido: both The Yes Man (1991) and La Nostra Vita (2010) competed on the Croisette, while to date only Little Teachers (1998) has played in Venice’s Competition. Featuring a cast of Italian A-listers led by Alba Rohrwacher and Luigi Lo Cascio, The Ties is produced by IBC Movie (Martin Eden, The Traitor) with Rai Cinema.

Contact: mk2 Films

The Truth About La Dolce Vita (It)

Dir. Giuseppe Pedersoli

One of the most iconic films of post-war Italy, Federico Fellini’s La Dolce Vita is the subject of a documentary that reveals the project’s troubled genesis, six decades on from its creation. There is a strong family connection in a film that is one of several tributes to emerge during Fellini’s centenary year: director Pedersoli, who had privileged access to previously unseen letters and production paperwork, is the nephew of La Dolce Vita’s co-producer Giuseppe Amato, while the film’s producer, Gaia Gorrini, is Amato’s granddaughter.

Contact: Intramovies

You Came Back (It)

Dir. Stefano Mordini

Director Mordini is an Italian indie maverick, his small, tough misfit dramas perhaps better appreciated abroad than at home. His 2005 debut Smalltown, Italy played in Competition at Berlin, while Mafia loner story Pericles The Black screened in Cannes’ Un Certain Regard in 2016. Blue-collar drama Steel was selected for Venice Days in 2012, but You Came Back (Lasciami Andare), a psychological thriller shot in Venice during the devastating floods of November 2019, is Mordini’s first official selection outing on the Lido. Produced by Roberto Sessa’s Picomedia, the film will be distributed in Italy by Warner Bros Italia.

Contact: Picomedia

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8. Notice and Procedure for Making Complaints Regarding Content. Voltage respects the intellectual property of others and we ask our Users to do the same.. In accordance with the Digital Millennium Copyright Act, Voltage has designated a Copyright Agent to receive notice of claims of copyright infringement with respect to Content on the Site. To notify Voltage of Content on the Site that you believe infringes your rights, please provide the following information to the Voltage Copyright Agent listed below:

(a) Your name, address, telephone number, and e-mail address;(b) A description of the copyrighted work that you claim has been infringed or, if multiple copyrighted works at the Site are covered by a single notification, a representative list of such works at the Site;(c) Identification of the material that is claimed to be infringing or to be the subject of infringing activity and that is to be removed or access to which is to be disabled, and information reasonably sufficient to permit Voltage to locate the material, such as the URL or a reasonable description of where the alleged infringing material is located;(d) A statement by you that you have a good faith belief that the disputed use is not authorized by the copyright owner, its agent, or the law;(e) A statement by you, made under penalty of perjury, that the information in the notification is accurate, and that you are the copyright owner or authorized to act on the copyright owner's behalf; and(f) An electronic or physical signature of the person authorized to act on behalf of the owner of the copyright interest. Voltage's Copyright Agent for notice of claims of copyright or other intellectual property infringement can be reached as follows: By e-mail: sales@voltagepictures.com (with subject "Copyright Complaints"); By phone: (323) 464-8351 (ask for Business Affair’s Office); By postal mail: Voltage Pictures, LLC 6360 Deep Dell Place, Los Angeles, California 90068 Attn: Business Affairs — DMCA Agent (with subject "Copyright Complaints")

9. DISCLAIMER OF WARRANTIES WITH RESPECT TO SITE. THE SITE (INCLUDING, WIHTOUT LIMITATION, ALL CONTENT, LINKS, MESSAGES, PRODUCTS, SERVICES, DOWNLOADS AND OTHER MATERIALS CONTAINED ON AND/OR OBTAINED THROUGH THE SITE) IS PROVIDED ON AN "AS IS" AND "AS AVAILABLE" BASIS, "WITH ALL FAULTS" AND WITHOUT WARRANTIES OF ANY KIND, EITHER EXPRESS OR IMPLIED. TO THE FULLEST EXTENT PERMITTED BY APPLICABLE LAW, VOLTAGE AND ITS AFFILIATES AND THEIR RESPECTIVE MEMBERS, OFFICERS, DIRECTORS, EMPLOYEES, AGENTS, AND OTHER REPRESENTATIVES (COLLECTIVELY THE "VOLTAGE PARTIES") EXPRESSLY DISCLAIM ALL WARRANTIES, REPRESENTATIONS, AND UNDERTAKINGS OF ANY KIND, WHETHER EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, ANY WARRANTIES OF TITLE, MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, AND NONINFRINGEMENT. WITHOUT LIMITING THE FOREGOING, THE VOLTAGE PARTIES DO NOT WARRANT THAT THE SITE WILL BE AVAILABLE OR THAT YOUR USE OF THE SITE WILL BE TIMELY, UNINTERRUPTED, ERROR-FREE, OR SECURE, THAT DEFECTS OR ERRORS WILL BE CORRECTED, OR THAT THE SITE (OR THE SERVER THAT MAKES IT AVAILABLE) IS FREE OF VIRUSES OR OTHER HARMFUL COMPONENTS. YOU ACKNOWLEDGE THAT YOU ARE RESPONSIBLE FOR OBTAINING AND MAINTAINING ALL INTERNET CONNECTIONS, HARDWARE AND SOFTWARE NEEDED TO ACCESS AND USE THE SITE, AND FOR PAYING ALL CHARGES RELATED THERETO. YOU ASSUME TOTAL RESPONSIBILITY AND RISK FOR YOUR USE OF THE SITE AND YOUR RELIANCE THEREON. NO OPINION, ADVICE, OR STATEMENT OF ANY VOLTAGE PARTY, WHETHER MADE ON THE SITE OR OTHERWISE, SHALL CREATE ANY WARRANTY NOT EXPRESSLY STATED HEREIN. FURTHER, THE VOLTAGE PARTIES DO NOT WARRANT THAT YOUR ACTIVITIES OR USE OF THE SITE IS LAWFUL IN ANY PARTICULAR JURISDICTION AND, IN ANY EVENT, THE VOLTAGE PARTIES SPECIFICALLY DISCLAIM SUCH WARRANTIES. YOU UNDERSTAND THAT BY USING ANY OF THE FEATURES OF THE SITE, YOU ACT AT YOUR OWN RISK, AND YOU REPRESENT AND WARRANT THAT YOUR ACTIVITIES ARE LAWFUL IN THE JURISDICTION WHERE YOU ACCESS OR USE THE SITE. THE VOLTAGE PARTIES WILL NOT BE LIABLE FOR YOUR USE OF THE SITE, INCLUDING, WITHOUT LIMITATION, THE CONTENT OR ERRORS CONTAINED ON THE SITE. APPLICABLE LAW MAY NOT ALLOW THE EXCLUSION OF IMPLIED OR OTHER WARRANTIES, SO THE ABOVE EXCLUSIONS MAY NOT APPLY TO YOU TO THE EXTENT SUCH JURISDICTION'S LAW APPLIES TO THIS AGREEMENT.

10. LIMITATION OF LIABILITY. TO THE FULLEST EXTENT PERMISSIBLE PURSUANT TO APPLICABLE LAW, IN NO EVENT SHALL THE VOLTAGE PARTIES BE LIABLE FOR ANY DIRECT, INDIRECT, PUNITIVE, INCIDENTAL, SPECIAL, CONSEQUENTIAL, ECONOMIC, EXEMPLARY OR OTHER DAMAGES ARISING OUT OF OR IN ANY WAY CONNECTED WITH OR RELATING TO YOUR USE OF THIS SITE OR WITH THE DELAY OR INABILITY TO USE THIS SITE, OR FOR ANY INFORMATION, CONTENT, PRODUCTS, AND/OR SERVICES OBTAINED THROUGH THIS SITE, OR OTHERWISE ARISING OUT OF THE USE OF THIS SITE, WHETHER BASED ON CONTRACT, TORT, STRICT LIABILITY OR OTHERWISE, EVEN IF THE VOLTAGE PARTIES HAVE BEEN ADVISED OF THE POSSIBILITY OF DAMAGES. THE VOLTAGE PARTIES ARE NOT RESPONSIBLE FOR ANY DAMAGE TO YOUR COMPUTER HARDWARE, COMPUTER SOFTWARE, OR OTHER EQUIPMENT OR TECHNOLOGY INCLUDING, WITHOUT LIMITATION, DAMAGE FROM ANY SECURITY BREACH OR FROM ANY VIRUS, BUGS, TAMPERING, FRAUD, ERROR, OMISSION, INTERRUPTION, DEFECT, DELAY IN OPERATION OR TRANSMISSION, COMPUTER LINE OR NETWORK FAILURE OR ANY OTHER TECHNICAL OR OTHER MALFUNCTION. YOUR ACCESS TO AND USE OF THIS SITE IS AT YOUR RISK. IF YOU ARE DISSATISFIED WITH THE SITE OR ANY OF THE CONTENT, YOUR SOLE AND EXCLUSIVE REMEDY IS TO DISCONTINUE ACCESSING AND USING THE SITE OR THE CONTENT. YOU RECOGNIZE AND CONFIRM THAT IN THE EVENT YOU INCUR ANY DAMAGES, LOSSES OR INJURIES THAT ARISE OUT OF OUR ACTS OR OMISSIONS, THE DAMAGES, IF ANY, CAUSED TO YOU ARE NOT IRREPARABLE OR SUFFICIENT TO ENTITLE YOU TO AN INJUNCTION PREVENTING ANY EXPLOITATION OF ANY SITE, MOTION PICTURE OR OTHER AUDIO/VISUAL CONTENT OWNED OR CONTROLLED BY US OR OUR LICENSORS, OR ANY OTHER EQUITABLE REMEDY, AND YOU WILL HAVE NO RIGHTS TO ENJOIN OR RESTRAIN THE DEVELOPMENT, PRODUCTION, DISTRIBUTION, ADVERTISING, EXHIBITION OR EXPLOITATION OF ANY SITE, MOTION PICTURE OR OTHER AUDIO/VISUAL CONTENT OR ANY AND ALL ACTIVITIES OR ACTIONS RELATED THERETO. BY ACCESSING THIS SITE, YOU UNDERSTAND THAT YOU MAY BE WAIVING RIGHTS WITH RESPECT TO CLAIMS THAT ARE AT THIS TIME UNKNOWN OR UNSUSPECTED, AND IN ACCORDANCE WITH SUCH WAIVER, YOU ACKNOWLEDGE THAT YOU HAVE READ AND UNDERSTAND, AND HEREBY EXPRESSLY WAIVE, THE BENEFITS OF SECTION 1542 OF THE CIVIL CODE OF CALIFORNIA, AND ANY SIMILAR LAW OF ANY STATE OR TERRITORY, WHICH PROVIDES AS FOLLOWS: "A GENERAL RELEASE DOES NOT EXTEND TO CLAIMS WHICH THE CREDITOR DOES NOT KNOW OR SUSPECT TO EXIST IN HIS FAVOR AT THE TIME OF EXECUTING THE RELEASE, WHICH IF KNOWN BY HIM MUST HAVE MATERIALLY AFFECTED HIS SETTLEMENT WITH THE DEBTOR."

11. Indemnification. You agree to indemnify, defend and hold the Voltage Parties, harmless from and against any and all claims, demands, damages, losses, investigations, liabilities, judgments, settlements, costs (including attorneys' fees), or other expenses that directly or indirectly arise from or are otherwise directly or indirectly connected to: (a) your breach or alleged breach of this Agreement; (b) your use of the Site or activities in connection with the Site; (c) your Submissions; or (d) your violation of any law, rule or regulation. You will cooperate as fully required by the Voltage Parties in the defense of any claim. Voltage reserves the right to assume the exclusive defense and control of any matter otherwise subject to indemnification by you, and you will not in any event settle any claim without the prior written consent of a duly authorized employee of Voltage.

12. Compliance. You understand and agree that we will determine your compliance with this Agreement in our sole discretion. Any violation of this Agreement may be referred to law enforcement authorities.

13. Miscellaneous Terms. (a) Modification or Suspension of the Site. We reserve the right, at any time and without notice to you, to modify, add, suspend, or discontinue, temporarily or permanently, the entire Site or any portion of the Site, in our sole discretion. This includes the right to modify, discontinue or remove any Content, postings, links, pages, services, or other materials at any time and for any reason. You agree that we shall not be liable to you for any modification, general suspension or discontinuance of any aspect of the Site. We may, in our sole discretion, refuse or restrict anyone from access to the entire Site or any portion of the Site at any time. (b) Jurisdiction / Location. Unless otherwise specified, the Site and its Content are presented solely for the purpose of promoting the entertainment, information, and community resources and services available in, and other uses in, the United States. We control and operate the Site from within the State of California, United States of America, and will specifically not be governed by the United Nations Conventions on Contracts for the International Sale of Goods, if otherwise applicable. We make no representation or warranty that the Site, or any Content or other materials available on the Site, are appropriate or available for use in other locations. Those who choose to access the Site from other locations do so on their own initiative and are responsible for compliance with local laws, if and to the extent local laws are applicable. (c) Severability of Agreement. If any provision of this Agreement is found by a court or other binding authority to be invalid, you agree that every attempt shall be made to give effect to the parties' intentions as reflected in that provision, and the remaining provisions contained in this Agreement shall continue in full force and effect. (d) Applicable Law. This Agreement and the resolution of any dispute related to this Agreement or the Site shall be governed by and construed in accordance with the laws of the State of California and the United States of America without giving effect to any principles of conflicts of law. Any legal action or proceeding between Voltage and you related to this Agreement or otherwise arising out of usage of this Site shall be brought exclusively in a federal or state court of competent jurisdiction sitting in or having jurisdiction over the County of Los Angeles, State of California, and you hereby consent and submit to the exclusive personal jurisdiction and venue of such courts.

14. Contact Information. If you have any questions or concerns with respect to this Agreement or the Site you may contact us by e-mail at sales@voltagepictures.com.

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